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http://www.lessontutor.com/bf_saintsaens.html
» Camille Saint-Saens - Biography from Betty Fry includes music links in Real Audio RAM format, related composer links.

http://w3.rz-berlin.mpg.de/cmp/saint_saens.html
» Camille Saint-Saëns - Brief biography from the Classical Music Homepages based on Grove Concise Dictionary of Music deals with influences upon the composer and the impact he had upon others.

http://us.imdb.com/name/nm0006269/
» Camille Saint-Saëns - Filmography at IMDb with biography and related links.

http://www.karadar.it/Dictionary/saint-saens.html
» Camille Saint-Saëns - Musica Classica Classical Music Dictionary entry with life, works, operas, illustrations, and MIDI audio files from "Carnival of the Animals."

http://www.geocities.com/Vienna/5000/bgsound/bgsound0900.html
» Carnival of the Animals: A Grand Zoological Fantasy - Short discussion of the fourteen parts of a piece the composer never intended for public performance. Includes MIDI link to the entire piece.

http://www.classiccat.net/saintsaens_c/index.htm
» Classic Cat: Saint-Saëns - Directory of mp3s on the internet that have been made available by their performing artists.

http://www.classicalarchives.com/bios/codm/saint-saens.html
» Classical Music Archives: Saint-Saens - Biography from the Concise Oxford Dictionary of Music. Over 130 complete files offered in MIDI, MP3, and Windows Media audio formats, including live recordings of featured artists.

http://www.kunstderfuge.com/saintsaens.htm
» Kunst der Fuge | Camille Saint-Saëns - Biography, MIDI files, WMA/MP3 files, and list of fugues written.

http://stevenestrella.com/composers/composerfiles/saint-saens1921.html
» Saint-Saëns, Camille (1835 - 1921), France - Biographical data, recommended CDs, books and sheet music, bibliography, and links to biographical essays from Dr. Estrella's Incredibly Abridged Dictionary of Composers.

http://library.thinkquest.org/22673/saint-saens.html
» The Symphony: Camille Saint-Saens - Biography focuses on his musical evolution from early espousing of Wagner and Schumann to later holding to classical forms and resisting impressionism.


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